HTML3 was rolling in its grave, so I gave it the HTML5 Logo treatment to appease it.
The resemblance is uncanny.
Thanks to my friends at Plank, HTML4 was taken care of.
HTML3 was rolling in its grave, so I gave it the HTML5 Logo treatment to appease it.
The resemblance is uncanny.
Thanks to my friends at Plank, HTML4 was taken care of.
Collectable and affordable, Faesthetic #13 is a collection of art & oddities from around the world. Part comic book & part zine, Faesthetic is a great place to discover new art & ideas.
Our 10th anniversary issue showcases 130 pages of original “Luck” themed art from over 45 artists. Featuring high quality 4 color offset printing, original cover art by Mike Giant, punch out cards by Mark Mothersbaugh & thoughts on the past and upcoming decade by a selected panel of distinguished creatives.
Found via Club Mumble: Faesthetic #13! 10 years in the making….
It stands strong and true, resilient and universal as the markup you write. It shines as bright and as bold as the forward-thinking, dedicated web developers you are. It’s the standard’s standard, a pennant for progress. And it certainly doesn’t use tables for layout. We present an HTML5 logo.
Or as Zeldman so eloquently puts it:
Facebook is retro because, like AOL, it’s retro by its nature. It’s a closed system. Some people like a closed comfy system and others don’t. I, for one, don’t. If I want a personal webpage with all sorts of information about myself, I’ll go to WordPress.com and make one. By doing this, I don’t turn over any data, control, or information to an onerous third party to sell, use, or exploit. I can close down the site when I want. I can say what I want. I can pretty much do whatever.
Via Why I Don’t Use Facebook | John C. Dvorak | PCMag.com (found via Zé).